Renee Zellweger, Matthew McConaughey, Robert Jacks, Tonie
Perenski, Lisa Newmeyer, Joe Stevens, John Harrison, Tyler Cone. (R, 86 min.)
Once upon a time (back in 1995), this movie was titled The Return of the Texas Chainsaw
Massacre and it starred a couple of "unknown" actors named Renee Zellweger
and Matthew McConaughey. The Austin-lensed film played a few festival dates (SXSW
among them) and it was eventually picked up for distribution but then... well, it's
a blurry story of delays and complications, which over the years have become so tangled
that chainsaws themselves could not cut a clear swath through the overgrowth. Yet,
somehow, after all this time, the film is finally playing in limited release (about
20 cities), albeit with a new title, Texas Chainsaw Massacre: The Next Generation
and some retooling that has trimmed some 15 minutes off the original running time.
As it stands now, the film is a knowing horror picture that builds on our knowledge
of the three Chainsaw predecessors but also keeps its tongue firmly planted in its
cheek at all times. Writer-director Kim Henkel penned the original Chainsaw and this
effort shows that he still has a felicitous grasp of the things that cause us to
shudder in dread. There are also most of the familiar conventions of the horror film:
prom night, meat hooks, and of course, chainsaws. But this time out we also discover
that Leatherface (Jacks) is a sensitive cross-dresser, that his tightly wound brother
Vilmer (McConaughey) is the real threat in the family, and that the backwoods clan
is in some kind of dastardly cahoots with respectable-seeming businessmen. The performances
here are uniformly fun, from the over-the-top Vilmer and his mechanical leg contraption
that jerks his unwilling limb in uncontrollable Dr. Strangelove-like motions, to
Vilmer's exhibitionist girlfriend Darla (Perenski) who lends a comedic air to all
she does, to the determined pluck of prom-night heroine Jenny (Zellweger), to the
plaintive demeanor of the beskirted Leatherface. Events are a bit choppy throughout
the picture and it's hard to imagine that such continuity lapses are the sole fault
of the low budget and pre-release trim. (One of the things excised was an entire
sequence that depicted Jenny's home life and demonstrated that family dysfunction
crosses many thresholds.) Bits and pieces of the story will, on occasion, leave you
scratching your head but it, nevertheless, moves rapidly enough to keep you scurrying
to keep pace with the new business at hand. The film is also fueled by an all-Austin
music soundtrack. Even though The Next Generation moniker makes the film sound like
it ought to be a Star Trek sequel, there's no mistaking this film's lineage.
2.5 stars
--Marjorie Baumgarten
Interviews
Texas Chainsaw Massacre: The Next Generation 
Texas Chainsaw Massacre: The Next Generation 
Full Length Reviews
Texas Chainsaw Massacre: The Next Generation 
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