In this piece that appears to have been penned
by a standardized script-writing computer, a beautiful Cuban youth
comes to America to find his father, the girl of his dreams, and
a career as a celebrated ballroom dancer. I wonder if he will
succeed?! The editing is perhaps the most atrocious I've ever
seen in a big-budget production. One phone conversation is doubled
in length by the fact that director Randa Haines can't seem to
cut away from the last speaker fast enough, alternately leaving
Vanessa Williams and male lead Chayanne standing there with strained
"can we cut now?" expressions on their faces for several
seconds after they speak each line. Even worse is the cinematography:
The dance scenes are all shot in close-up. This travesty made
me want to ask Haines if the word "duh" meant anything
to her. All she had to do was rent any Gene Kelly or Fred Astaire
movie to see how to shoot people dancing. Here's a clue: Include
their feet in the shot; and while you're at it, why not include
the rest of their bodies? Other than the fact that it successfully
creates the illusion of movement through the rapid succession
of still images, this film is a complete and utter waste of time.
--DiGiovanna
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