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JANUARY 12, 1998: The erotic forays and existential musings of a tribe of Parisian late-twentysomethings unfold compelling under the inventive, hawk-eyed direction of Arnaud Desplechin, who also co-wrote the script. At the heart of a stunning ensemble cast is Mathieu Almaric as Paul Dedalus. Slightly built, fey-featured, Almaric is one of the more charming and mercurial antiheroes in recent movies.
But Paul's existence is not all sexual angst: the "argument" is with his ex-friend Rabier, a pretentious academic who lands a plummy job in Paul's department. Rabier's snubs catalyze Paul's frustration even as he continues his aimless sexual pursuits. Under Desplechin's sure hand, and realized by the actresses' superb portrayals, the complex personalities of Paul's conquests (all leggy brunettes with improbably high cheekbones) come to the fore, suggesting several alternate narratives shaped by their perceptions, not Paul's. Three hours is a long time to watch a film about anyone's sex life, even one of those scruffy-but-cute French guys. But this intimate epic breezes by like a stroll along the Seine, shimmering with intelligence and intrigue. At the Coolidge Corner.
-- Peg Aloi
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