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Volume I, Issue 33
January 20 - January 26, 1998


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Country Comforts
Former Blood Oranges vocalist Cheri Knight finds new life under Steve Earle's wing. [6]
Jonathan Perry
Three of a Kind
Texas boogie-woogie pianist Marcia Ball, New Orleans soul queen Irma Thomas, and Mother Earth herself, Tracy Nelson had more fun that you will with their collaborative CD, "Sing It." [7]
Clea Simon
Natural Highs
Victoria Williams's "Musings of a Creekdipper" is as starkly beautiful, as mystical and fractured as the landscape of her desert home. [8]
Joan Anderman
Louisville Ladies
"Springtime," the latest from the Louisville's Freakwater, sparkles like a rough-cut diamond dropped in a glass of whiskey. [9]
Chris Tweney
Country Queens
Nashville's crossover action is in the hands of new country queens such as LeAnn Rimes and Shania Twain. [10]
Franklin Soults
Deep Shleep
With his first release in six years, Robert Wyatt returns to the droll lyrics, complex melodies, sparse arrangements that made him important. [11]
Mac Randall

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Reality Check
Sixteen Deluxe anticipates the release of their new album on Warner Bros., "Emits Showers of Sparks". Today, Wheatsville Co-op; tomorrow, the world? [2]
Christopher Gray
Small-Town Heroes
With a name like Slobberbone, and their contempt for big record companies, you know this Denton, Texas, band has just got to be good. [3]
Brendan Doherty
Celestial Skinsman
He was the most unusual jazz performer in Knoxville, Tennessee, if not the country: Samarai Celestial. Mike Gibson relates the life of this one-of-a-kind musician. [4]
Mike Gibson
The Space Program
ST-37 and their new album on Black Widow, "Spaceage." [5]
Ken Lieck

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'd like to take a moment to voice my concern about the pathetic
state of weird band names today. What's with these whippersnappers?
This week's stories focus on such "artists" as Slobberbone, Freakwaters,
ST-37, Sixteen Deluxe, and someone named Samarais [sic] Celestial.
What in the ever-lovin' kinds of names are those? When I was a
young 'un, our bands had practical, sensible names like Meat Puppets,
Haysi Fantayzee, Yaz, Twisted Sister, the Virgin Prunes (not to
be confused with the Electric Prunes), and The Very Idea of F*cking
Hitler. My, how times have changed.
Why do you think Cheri Knight left the so-called Blood Oranges
to pursue a solo career? No, not because hemoglobin and citrus
don't mix -- it was the name! Why stick with a band named after
clotting fruit when you can exploit a top-notch title like Cheri
Knight (a combination of George Washington and Arhurian legends
all rolled into one)? Such basic-but-respectably named artists
as Robert Wyatt; Mark Eitzel;
LeAnn Rimes and Shania Twain; and
the trio of Marcia Ball, Irma Thomas and Tracy Nelson will never
have to worry about changing trends or the quizzical glances of
people put off by a mystifying moniker. Now if only we could get
Victoria Williams to avoid odd album titles like "Musings
of a Creekdipper." But perhaps I'm getting too persnickety.
Look, all I'm saying is: leave the weird names to the weirdos.
Yours truly,

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Dark Mark 
Eccentric Mark Eitzel trades on mopiness and self-absorption, but there's also an openness to his vocals that can be touching. [12]
Stephanie Zacharek
Atomic Bombs 
Saxophonists Ken Vandermark and Mats Gustafsson go for broke on their new CD, "Blow Horn." [13]
Ed Hazell

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Tiny Tunes 
- Kip Winger
- Silver Scooter
Boston Phoenix CD Reviews
- The Ramones
- Entombed
- Fred Frith
- The London Suede
- The Gothic Archies
- Pat DiNizio
- Ethnic Heritage Ensemble
- Pete (LaRoca) Sims
Now What?
If you go gaga over the sultry smoothness of a symphonic glissando, just wait till you experience our transitions to cool and useful music links on the Web. [18]
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