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Goodbyes, Tinky Winky, Howard By Robert David Sullivan MARCH 1, 1999: We've reached the halfway point of the dismal 1998-'99 television season, and the lack of exciting new shows has left people talking about some pretty silly topics. But there are reasons to be cheerful about some of them.
Actually, the long goodbyes of Smits and Clooney have helped their respective shows in the ratings, and NYPD Blue, at least, has become considerably more watchable this season. Law & Order also seems to become more popular every time it makes a cast change. An ironic result of all this hype is that the networks may be less willing to give multiyear, multimillion-dollar contracts to the stars of such ensemble dramas (a genre that has become more popular this season while situation comedies have gone into a steep decline). Instead, we may see more big-name actors signing up for a season or two of, say, The Practice. This trend could keep long-running shows from becoming stale, and it may even spread to sit-coms. I nominate Frasier as the series most in need of a shake-up. Will somebody please leave?
I found the solution at the Museum of Television and Radio in New York, where I watched a video from the 1950s version of The Tonight Show. The host was the witty and versatile Steve Allen, who has since written several books lamenting the decline of literacy and good taste in this country. The videotaped episode of Tonight, from the fabled Golden Age of Television, took place on Halloween night, with Allen and his costumed guests wandering about a cramped studio and making mildly risqué ad-libs. They also played games like "pass the gourd," in which a guest holding a gourd beneath his chin tried to pass it to a guest of the opposite sex without using his hands. If he played the game right, a male guest spent most of the time with his face shoved into a woman's cleavage. The show itself was fun but utterly pointless. So all Howard Stern has to do is dump Robin Quivers and hire Steve Allen as his sidekick. Stern can keep his raunchy personality; Allen can handle the more refined innuendoes. Steverino can also get in a few classy piano riffs. His best-known composition, "This Could Be the Start of Something Big," would be perfect for so many Howard Stern moments (bra removals come to mind). The program could be retitled Howard Stern's Marvelous Party, and the Emmys would flow like cheap vodka.
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