Volume II, Issue 45
May 3 - May 10, 1999
LETTER FROM THE EDITOR:
eorge Barnes and Allen Hale are folk artists, and they have the credentials to prove it. Neither has extensive art training. They work only with materials they find on hand. They make objects they like before they wonder if someone else will like them, too.
Anya Von Bremzen's cookbook, "Please to the Table," offers the definitive word on Russian cooking, which bears the stamp of the exotic cuisines of Central Asia and the Middle East and boldly borrows also from French, Polish, and German cookery.
Also the crawfish, part folksy tourist icon, part sci-fi space monster; the intersection of sports and education; the divergence of budgets and performing; and the nature of art.
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Back In Black [7]
What is art? At Elizabeth Cherry Contemporary Art gallery, the more apt question is, where's the art?
— Margaret Regan, TUCSON WEEKLY
Now What? [8]
A gallery of captivating links to keep your imagination churning while the paint dries.
— WEEKLY WIRE
|
|
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Tin Men [2]
Folk artists Allen Hale and George Barnes started out making bird houses and selling them for $5 on a roadside. Now their whimsical metal works are gaining a following.
— Kay West, photos by Susan Adcock, NASHVILLE SCENE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Please to the Table [3]
Anya Von Bremzen's cookbook shows how to re-create the comfort food of Russia in the comfort of your own home.
— Rachel Feit, AUSTIN CHRONICLE
Craw Struck [4]
Digging up the history of crawfish.
— Keir Graff, NEWCITY CHICAGO
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
No Katzenmoyers [5]
Vanderbilt aims to teach the NCAA about learnin'.
— Randy Horick, NASHVILLE SCENE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Changing Roles [6]
After nearly two decades of strong work with Nashville Children's Theatre, Teddy Giles is leaving.
— Lisa A. DuBois, NASHVILLE SCENE
Build your own custom paper. To find out more
about this feature, click here.
|
|