Weekly Wire

Volume II, Issue 48
May 24 - June 1, 1999  
 
Music


Artist Profiles
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Raw Beauty [2]
June Carter Cash offers rough-hewn beauty on her new solo LP.
— Michael McCall, NASHVILLE SCENE
 
Soundbites [3]
The Poster Children are reclaiming territory they first staked out 11 years ago.
— Stephen Seigel, TUCSON WEEKLY
 
Bus Boys [4]
If nothing else, Insane Clown Posse make you concerned about the implications of living in a world where a couple of jokers with bad taste can be considered a serious threat.
— Matt Ashare, THE BOSTON PHOENIX
 

Album Reviews
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High Notes [5]
Rod McGaha's new record successfully blends jazz and gospel.
— Ron Wynn, NASHVILLE SCENE
 
Rock Steady [6]
Ready to rock: Lilys, Tom Petty, and Fountains of Wayne.
— Noel Murray, NASHVILLE SCENE
 

Now What? [11]
If you go gaga over the sultry smoothness of a symphonic glissando, just wait till you experience our transitions to cool and useful music links on the Web.
WEEKLY WIRE
 


LETTER FROM THE EDITOR:

J une Carter Cash's new solo effort will be one of the most talked about country albums of 1999, even if the stark, primitive nature of the recording keeps it from widespread airplay.

Since their last release in 1993, the Poster Children have reinvented themselves, and "New World Record" is as close as you can get to the ferocious energy the band generates on stage.

Also, a brief visit with Insane Clown Posse, reviews of Rod McGaha, the Lilys, Tom Petty, and Fountains of Wayne, and more.

Mini Reviews
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Boston Phoenix CD Reviews [7]

  • Danielle Howle
  • Chic
  • The Go-Betweens
  • Lilys
  • Prolapse
  • Boy Sets Fire
  • The New Orleans Klezmer Allstars
  • Ponga

Turn Up That Noise! [8]
  • KMFDM
  • A.C. Reed

Rhythm and Views [9]
  • The Simplistics
  • Mongo Santamaria
  • "The New Latinaires"

Tiny Tunes [10]
  • The Aluminum Group
  • Badfinger

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