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By Russell Smith JUNE 7, 1999: D: Freida Lee Mock and Terry Sanders. (Not Rated, 102 min.)
There's no denying it: Movie critics tend to be way more cynical than the general
population. Some of us come by the trait naturally, but many more acquire it through
overexposure to films that labor mightily to uplift only to blow it all in a noxious
spew of over-the-top sentimentality and shameless emotional manipulation. Thus my
high regard for Freida Lee Mock, who's spent the Nineties turning out documentaries
(Maya Lin: A Strong, Clear Vision; Never Give Up: The 20th Century Odyssey of Herbert
Zipper; Rose Kennedy: A Life to Remember) that manage to be both inspiring and scrupulously
schmaltz-free. Return With Honor extends this remarkable run with a powerful, deeply
empathetic account of captured American airmen's experiences as P.O.W.s in North
Vietnam. There's no political agenda here, no pandering to Ramboesque fantasies of
unliberated prisoners still languishing in remote jungle camps. Instead, Return focuses
narrowly on ex-captives' toenail-curling accounts of how they survived torture, solitary
confinement, and wrenching loneliness -- experiences that many endured for seven years
or more. For anyone who's ever wondered how they'd hold up under torture, the confessions
of these stud-duck fighter pilots should erase any doubt. Many cracked almost instantly.
Recognizing human frailty, the P.O.W. code of honor demanded only that one refrain
from words or deeds that could cause immediate harm to fellow prisoners or the war
effort in general. In other words, a P.O.W. was to behave always in ways that would
allow him to "return with honor" after the war. As a dyed-in-the-wool peacenik who
turned 18 the year the draft was abolished, I've never before fully grasped the unique
significance of honor in a military context. However, Mock and Sanders' film goes
far beyond recruiting-poster platitudes to illustrate in concrete terms how esprit
de corps, self-discipline, and sacrifice for the common good can not only be points
of pride but also the best defense against efforts to crush the spirit. None of these
men -- including current U.S. Senator John McCain -- seems overly impressed with their
feats of bravery. Most, in fact, go out of their way to confess moments of fear and
weakness. Several unashamedly cry on camera as they recall friends' deaths or their
ecstatic postwar reunions with their families. Others gloss over astonishing acts
of courage with self-deprecating humor. Utterly absent is any hint of the expected
Top Gun frathouse bluster or cheap potshots at peace protesters back home. (Their
most serious complaint against the antiwar movement seems to have been its value
as a propaganda weapon for their captors.) Positive feelings about our involvement
in Vietnam, or even the military, aren't required for appreciation of this film.
Though simple intellectual honesty compels our gratitude and respect for people who've
served in uniform -- as opposed to many of the wars we've fought through the years
-- the military experience is a topic so laden with political baggage that it's hard
to treat in any depth without polarizing the audience. Return With Honor is a perfect
companion to a post-Memorial Day weekend: a story of transcendent human courage and
sacrifice that inspires us to greater appreciation of what we have and what we've
been given.
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