 |
Short Cuts
By Marjorie Baumgarten
AUGUST 4, 1997:
Three weeks from now, aGLIFF will be in town. No, I don't mean a
glyph
who used to be known as Prince. This particular aGLIFF stands for the
Austin Gay
& Lesbian International Film Festival and it's about to take up a
two-week
residence (Aug. 22-Sept. 4) at its home base, the Dobie Theatre. Making this
year's
festival extra-special, 1997 marks the 10th anniversary of the annual event.
In order
to gear up, there's a fundraiser scheduled for Thursday, Aug. 7 at the Dobie.
The
evening will be a "Best Of," featuring trailers of upcoming films
in this
year's festival and a retrospective "best of" from the past 10
years. It
begins at 7:30pm; tickets are $10 and there's a $2 discount for aGLIFF
members...
The Trouble with Harry (The Ongoing Controversy): It seems our pal Harry
Jay Knowles
and his Austin-produced Ain't It Cool News website
(http://www.aint-it-cool-news.com)
have been the objects of some high-level scrutiny as of late. His website of
insider
movie info and opinion has in a few short months become one of the hottest
spots
on the Web. And in the last couple of weeks since Knowles has been written up
in
Newsweek, Variety, and Hollywood Reporter, to name just a few biggies
(although we
hear that Rolling Stone and CNN are also hot on his trail), his site's number
of
hits has grown from something like 250,000 to 400,000 per day. A good number
of those
people are even fans. But as the Ain't It Cool phenomenon continues to grow,
so,
too, do Knowles' detractors. We reported here a couple of months back
("Short
Cuts," No. 42) about Batman & Robin director Joel
Schumacher's
public trashing of Knowles' practice of posting reviews and commentary from
test
screening attendees (who all have fictitious spy identities). What's bugging
some
folks in Hollywood is this new invasion into their previously sole
proprietorship
of "buzz" and "spin." What really grabbed the bigshots'
attention
was Ain't It Cool's coup in covering the highly secret screening of a work
print
of James Cameron's Titanic at a Minneapolis theatre. One
of
Knowles' spies had tipped him about the screening and within 24 hours, about
250
people had responded to Knowles' call for Twin Cities spies. But in this
case, the
30 or so spies who made it to the screening and posted their thoughts had
mostly
enthusiastic things to say, which had to be a boon to the besieged Titanic
enterprise.
Still the Variety piece (7/29) leads off by joking that studio honchos are
passing
Knowles' photo around in an attempt to keep him from their screenings (little
do
they understand that Knowles generally attends these screenings here in
Austin, not
L.A.) and the Hollywood Reporter (7/24) describes Knowles as having made a
career
out of "infiltrating" these events. (How cloak-and-dagger for
someone in
possession of a legitimate pass.) Anyway, all this keeps getting curiouser
and curiouser
and has ramifications for movie fans and civil libertarians alike...
Use It
or Lose
It Dept.: Nick Ray's CinemaScope gypsy musical Hot
Blood, starring
Jane Russell and Cornel Wilde as the gypsy lovers, shows
Tuesday, August
5, 7pm, at the Union Theatre as part of the Austin Film Society's
Summer
Free-for-All. This movie doesn't exist on videotape; I saw it once about
a million
years ago on TV; it's flawed but fabulous; and I can't wait.
|


|