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Off the Wall
Humorist finds widespread appeal with frank, irreverent column
By Michael Sims
OCTOBER 25, 1999:
P.S. Wall, the humor columnist, dunks biscotti in her coffee, looks
around at the Fido lunch crowd, and leans close to reveal a surprising
occupational hazard: "People are always stealing the reading copies of my
books. Now they're even cutting certain stories out of them. When I was
doing my reading at the Southern Festival of Books, I got to the last
page--and it was gone. Someone had cut the next story out--one I'd read the
day before, so it had to have happened then."
Wall also tells of leaving a mall after dark recently and hearing
footsteps behind her, pausing with her, speeding up with her. Finally a man
tapped her shoulder. She whirled around in full self-defense mode, only to
hear, "Ms. Wall, I'm a big fan of yours. I was wondering if you could sign
my books." Before he left, the man remarked that in person she isn't really
all that funny.
Wall's stalker fits right in with the parade of eccentrics who populate
her life and work. This trend began at an early age. "My background is very
Southern. My family moved to the Northwest when I was a kid. When I was
about 8, I had a teacher who thought that a Southern accent was a sign of
ignorance. She made me stand up in front of the class and read, and then
she would have the class imitate my accent. Then she made me say the words
over and over again in a different way. She thought she was doing me a
favor. In a way, she really did, because it made me start writing. I
couldn't say what I felt, so I would write it."
Decades later, this incident led to Wall's writing career. "I would
always write down my feelings, or what I thought of people. [Wall's
then-boyfriend] Sweetie ran across a couple of these four years ago and
said, 'Have somebody read these.' I went to The Review Appeal in
Franklin. The editor read three of them, never cracked a smile, and asked
me if I could do it every week. They didn't pay me, didn't even give me a
free newspaper. But I thought, 'Well, this is kinda fun.' Then a guy in
Georgia called and said, 'I pay $4 a week for Lewis Grizzard. I'll give you
$5.' "
Since 1995, much has grown from this modest beginning. Another paper
called, followed by others. Then a publisher in Kansas City told Universal
Press Syndicate about her. In her first year of writing, Wall was named
Humor Columnist of the Year by the National Society of Newspaper
Columnists. In 1997 Rutledge Hill published a collection of columns, My
Love Is Free...But the Rest of Me Don't Come Cheap, which was picked up
by Ballantine and came out in trade paperback several months ago. She was
also a semifinalist this year for the Thurber Award, considered the
Pulitzer Prize of humor writing. Her new hardback, If I Were a Man, I'd
Marry Me, is also from Ballantine, as part of an impressive two-book
deal. Although Wall has only been syndicated for two years, her column is
already carried by 21 newspapers, including one in Australia, and by
CompuServe and U-Express. From her unpaid weekly column in Franklin, Wall
has risen to a weekly audience of 5 million.
Wall lives, with the man called Sweetie, in a barn-turned-house on 144
acres somewhere in the wilds of Fairview, where she turns everyday life
into fodder for writing. Her titles are firmly in the tradition of Lewis
Grizzard and Erma Bombeck. In fact, the Atlanta Journal-Constitution
described Wall as "Erma Bombeck with attitude." But Wall has a most
un-Bombeckian take on life, especially in her no-nonsense comments about
sex.
On seeing a photo of the younger man a friend of hers is dating, she
writes, "If I were a man, I'd have to cross my legs." On men in general,
she observes, "Guys are like dogs. You wish you could take them all home
when they're puppies. But after they've howled all night and slobbered all
over everything, you come to realize that the ones who are already trained
are much easier to live with." And of her relationship with her husband,
she writes, "Sweetie watches my hormones like a farmer studies the
Farmer's Almanac. He knows when to plow, when to plant, and when to
give it a rest." Sweetie is the only name ever given to Wall's significant
other in her writing. Other friends appear under fictional names, while
some characters are composites of several people or even entirely
fictional.
Wall is equally blunt about topics besides sex. On children: "People
used to say kids should be seen and not heard. What do we need to see them
for? I say we leave them in daycare until they're old enough to vote." On
her husband standing in a line of overweight people outside an airplane
bathroom: "Pinched between two albino sumo wrestlers, he looks like a
rectal thermometer." And on the sociology of rural Southern aspirations:
"Muslims go to Mecca. Jews go to Jerusalem. My people go to Graceland.
Elvis is the standard to which all us white trash aspire. He's like white
compost."
The real Paula S. Wall is very different from the semifictional
character who narrates her column. For one thing, she is attractive and
smart, two attributes she downplays in her everywoman persona. The
columnist also presents herself as uncultured, as when she dozes off during
a classical music concert. When she awakens, she writes, "I actually
recognize some of the music and, in the fever of the moment, can't help but
quietly sing along. 'Kill da wabbit.... Kill da wabbit....' " But the real
Wall is a literate writer with a background in chemistry, biology, and
ecology.
Wall's approach varies from column to column, from folksy to feisty. Not
every arrow hits its mark. Sometimes that's because the arrow was too heavy
or not sufficiently barbed. But Wall provides a high percentage of inspired
lunacy, as when she and Sweetie remove a lizard biting the ear of their
cat, or when she recounts Sweetie's determined efforts to get to a topless
beach in Martinique. The result is an amusing and original voice that might
be characterized in words that Wall herself used to describe someone else:
"Not only did he choose the road less traveled, he chose the road still
under construction."

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