Lost Country The genius of a Trisha Yearwood's "Real Live Woman" is that she cashes in on songs that have as much depth as a greeting card, and acts as if they were profound. [04-24-00] — Grant Alden, THE BOSTON PHOENIX Fuzz Boxers Mudhoney, the best and worst band of the late-'80s/early-'90s, have re-emerged from a post-grunge layer of dust with the two-disc retrospective, "March to Fuzz." [02-14-00] — Grant Alden, THE BOSTON PHOENIX Behind the Music Whether you think she's just another slickly produced pop star or symbol of tenacity and hard work, Shania Twain is laughing all the way to the bank. [01-10-00] — Grant Alden, THE BOSTON PHOENIX Hello Dolly Even after years of celebrity outside the musical arena, Dolly Parton's bluegrass release "The Grass Is Blue" shows that she hasn't lost the spunky, sweet knack that made her a country diva in the first place. [11-08-99] — Grant Alden, THE BOSTON PHOENIX Behind Bars After 31 years, Johnny Cash's "At Folsom Prison" is a surviving portrait of a barely remembered near-past -- one resonates with an almost 19th-century tone of honor, duty, and rectitude. [10-25-99] — Grant Alden, THE BOSTON PHOENIX Past Perfect It takes just one listen to Johnny Cash singing "Sunday Morning Coming Down" to curse the fact that Kris Kristofferson has made more movies than music. [09-13-99] — Grant Alden, THE BOSTON PHOENIX
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