Killer Plot Author Michael Pye is after more than goosebumps in this multi-faceted consideration of the vulnerability of personal identity. [04-26-99] — Randall Holdridge, TUCSON WEEKLY Winterson Of Discontent Jeanette Winterson calls herself the greatest living writer in English, but her modernist experiments are wearing thin. [04-12-99] — Randall Holdridge, TUCSON WEEKLY Cloaks And Daggers "Memory's Tailor" threads patches of incident, dream, memory and discovered documents into a satisfying whole. [04-05-99] — Randall Holdridge, TUCSON WEEKLY An American Tale Once upon a time, the Abernathy boys captured the nation's attention and earned the praise of Teddy Roosevelt with their wandering ways. [03-22-99] — Randall Holdridge, TUCSON WEEKLY Writing In Ernest The comparison to Ernest Hemingway of just any male under age 40 who writes about men outdoors or at war ought to make editors hang their heads in shame. Thom Jones' book is a case in point. [03-15-99] — Randall Holdridge, TUCSON WEEKLY Queenly Cubana In "Empress of the Splendid Season," Oscar Hijuelos continues his studies of the tissue of memory that provides for working-class Cuban-Americans a glamorous refuge from the conditions of life in Spanish Harlem. [03-15-99] — Randall Holdridge, TUCSON WEEKLY Fourth Dimension Michael Chabon's "Werewolves in Their Youth" has some decent howls. [03-08-99] — Randall Holdridge, TUCSON WEEKLY Rough Road "El Camino del Rio" is a bumpy ride. [03-01-99] — Randall Holdridge, TUCSON WEEKLY Manila Envelope Alex Garland's "The Tesseract" uses a conceptual model from geometry—the hypercube—to establish a fundamental convergence of its plots and subplots. [02-23-99] — Randall Holdridge, TUCSON WEEKLY Legacy Of Letters Dame Iris Murdoch may have been lost to Alzheimer's, but her literary contributions are here to stay. [02-15-99] — Randall Holdridge, TUCSON WEEKLY
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